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From Farinelli, the eighteenth century castrato who brought down opera houses with his high C, to the recording of "Johnny B. Goode" affixed to the Voyager spacecraft, Let Me Clear My Throat dissects the whys and hows of popular voices, making them hum with significance and emotion. There are murders of punk rock crows, impressionists, and rebel yells; Howard Dean's "BYAH!" and Marlon Brando's "Stella!" and a stock film yawp that has made cameos in movies from A Star is Born to Spaceballs. The voice is thought's incarnating instrument and Elena Passarello's essays are a riotous deconstruction of the ways the sounds we make both express and shape who we are—the annotated soundtrack of us giving voice to ourselves.
Elena Passarello is an actor and writer originally from Charleston, South Carolina. She studied nonfiction at the University of Pittsburgh and the University of Iowa, and her essays have appeared in Creative Nonfiction, Gulf Coast, Slate, Iowa Review, The Normal School, Literary Bird Journal, Ninth Letter, and in the music writing anthology Pop Till the World Falls Apart. She has performed in several regional theaters in the East and Midwest, originating roles in the premieres of Christopher Durang's Mrs. Bob Cratchit's Wild Christmas Binge and David Turkel's Wild Signs and Holler. In 2011 she became the first woman winner of the annual Stella Screaming Contest in New Orleans.
- Sales Rank: #142571 in Books
- Brand: Passarello, Elena
- Published on: 2012-10-09
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .80" w x 5.30" l, .65 pounds
- Binding: Paperback
- 240 pages
From Booklist
“Stellaaaaaaaaaaaaaa!” Who can forget Marlon Brando’s gut-wrenching wail in A Streetcar Named Desire? In this eclectic collection of essays, actress and writer Passarello explores the ways in which our voices define us, refine us, and connect us to one another. From Billy Idol and his “rebel yell” to eighteenth-century castrato Farinelli, who mesmerized audiences with his high C, Passarello ponders the encyclopedic range of sounds that emerge from vocalists’ throats. Here we learn about the life of an Elvis impersonator, the recording of “Johnny B. Goode” that accompanied the Voyager astronauts into orbit, and the tragic tale of Judy Garland, whose mother’s voice penetrated her every cell from the time she was in the womb. The author intersperses her essays with monologues from individuals who have enjoyed fun and profit with their “pipes,” including voice-over artist Jim Meskimen and Joe Starkey, the sports announcer who called the legendary Final Play in the 1982 Cal-Stanford Big Game. Passarello, the first woman to win the annual Stella Screaming Contest in New Orleans, informs and delights in this witty, original read. --Allison Block
Review
"“In a brilliant combination of rigorous study and conversational tone, actor and essayist Passarello has created a remarkably entertaining and thought-provoking look at the human voice and all of its myriad functions and sounds.... A wonderful collection for any reader and every library. Highly recommended.”
—Library Journal, Starred Review
"This striking debut is graceful even in its portrayal of the most barbaric groans and yelping cries."
—Publishers Weekly
“In this eclectic collection of essays, actress and writer Passarello explores the ways in which our voices define us, refine us, and connect us to one another.... Passarello, the first woman to win the annual Stella Screaming Contest in New Orleans, informs and delights in this witty, original read.”
—Booklist
“Standout pieces include a biography of the most famous scream in Hollywood history; a breakdown of the relationship between song and birdsong; and an analysis of the sounds of disgust. Akin to: A dinner party at which David Sedaris, Mary Roach and Marlon Brando are trying to out-monologue one another.”
—Philadelphia Weekly
“In each essay, Passarello takes us on rambling, but carefully controlled walks that duck into alleys, wind through backstreets, beckon us into little mazes of looping associations, and often end up far from where they began.... Her keen eye for the particular dovetails with an uncanny ear for the journey a sound takes, producing sensuous and noisy sonic portraiture.”
—Atlanta Journal-Constitution
“Elena Passarello is a writer with a confident voice. Her first book is centered around that voice: in Let Me Clear My Throat, Passarello draws from her writing and acting background, and the result is a quirky blend of reportage and some personal narrative.”
—Michele Filgate, The Paris Review
“What she’s produced here is a masterfully orchestrated collection of essays, so finely tuned and executed that they ring with choirboy clarity.... Not only an authority on the human voice, but also one hell of an entertaining writer.”
—DIAGRAM
“The beauty of Elena Passarello's voice is that it's so confidently its own. She's not selling her subjects. She writes with the kind of calm assumption of interest you make in a good friend (if a good listener) over dinner. But what she's saying is always unexpected, and full of information. I began randomly with her essay wondering what the space aliens will make of 'Johnny B. Goode' on the Voyager gold record, and couldn't stop after that.”
—John Jeremiah Sullivan
“When I first read Elena Passarello's essay, ‘How to Spell the Rebel Yell’, I was so excited I pumped my fist in the air and let out a celebratory, "Yessssss!" Her much-anticipated collection, Let Me Clear My Throat has that effect on the reader. This book is a stunning and exhilarating intellectual romp...”
—Steven Church
About the Author
Elena Passarello is an actor and writer originally from Charleston, SC. She studied nonfiction at the University of Pittsburgh and the University of Iowa, and her essays have appeared in Creative Nonfiction, Gulf Coast, Slate, Iowa Review, Normal School, Literary Bird Journal, Ninth Letter and in the music writing anthology Pop Till the World Falls Apart. She has performed in several regional theaters in the East and Midwest, originating roles in the premieres of Christopher Durang’s Mrs. Bob Cratchit’s Wild Christmas Binge and David Turkel’s Wild Signs and Holler. In 2011, she became the first woman winner of the annual "Stella! Shout Out" screaming contest in New Orleans.
Most helpful customer reviews
0 of 0 people found the following review helpful.
A collection of real gems
By Krista
To say that Elena Passarello’s essays are interesting and descriptive would be a grave understatement. There is a way that people can image things in their heads from people describing it to them, and Elena Passarello’s collection of essays in this book did it for me. She would describe origins of screams and theories of where it all came from in such a way that I literally did research on my own to find the bits of information that she mentioned. Her style of explanation the Voyager odyssey and the likes of “Johnny B. Goode” had me completely hooked because it explains the facts in ways that people originally don’t realize.
Her essay “Harpy” still delivered the same type of explanation whilst describing aspects of her childhood; bringing them to live as we all have our own silly things. She animates them in a way to the reader, explaining each thing, its origins and its proper place in history, as well as its present application. It all just…fits. She describes screams, guttural sounds and the word ‘Ew’ as one would describe rocket science: With excruciating amounts of detail and precision.
She brings things out of the dark where people had supposed they had stayed. Each essay starts with a quick little narrative of some event or something that happened that involved some voice action or something vocal that would distinguish someone apart from everything else, and she expounds on it marvelously. This book is amazing, but sometimes divulges too much detail that could end up boring the reader. Despite this small setback, she changes the tone quick enough to keep one engaged. 5 stars for this amazing collection of essays!
0 of 0 people found the following review helpful.
Great read!
By dawnhighhouse
I have throughly enjoyed reading "Let Me Clear My Throat." It's a wonderful mix of interesting essays about sound and the human voice. The essays are interesting, funny and thought provoking. They made me want to dive deeper into the subjects - and I love that, when a book inspires me to continue researching on my own!
0 of 0 people found the following review helpful.
and even fun. Never thought you cared what exactly the “Rebel ...
By Emily
An entire essay collection focused solely on the human voice may not sound particularly interesting, but the passion, research, and wit that Elena Passarello brings to Let Me Clear My Throat makes it interesting, and even fun. Never thought you cared what exactly the “Rebel Yell” from the U.S. Civil War sounded like? You’ll care, once you read “How to Spell the Rebel Yell.” But she writes about things you’ll be interested to read, too, like Judy Garland, Frank Sinatra, and--most importantly--Passarello’s own experience winning the “Stella Shout Out” screaming contest. (Once you read the essay, you have to watch the Youtube video of her performance--she makes it easy by naming the video specifically in the essay. It’s pretty great.)
Passarello’s ability to describe un-spellable sounds is pretty impressive. I listened to some of the recordings she mentions in her essays, and I was surprised how accurately they matched the descriptions in the essays.
I do want to point out, though, that this is an essay collection with mostly research-driven essays. In other words, it’s generally not much of a page-turner. It’s interesting and fun, but I wouldn’t recommend trying to read the whole thing over just a couple of days (although it’s not a particularly long book). Like most essay collections, I would think, this collection is best read over a couple weeks at least, maybe an essay a day. The essays are dense with great language and great ideas, and for me, they needed time to soak in.
If you’re looking for great essays, Passarello is a great way to go. She knows her stuff.
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