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The Complete Calligrapher., by Maryanne Grebenstein
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This complete guide contains everything you need to know to develop your calligraphic skills. It is an essential reference guide for enthusiasts, covering everything you need to know from selecting pens and mastering alphabets, letterforms, applied and experimental calligraphy to advanced letter illumination and design. The exercises provide full coverage of the range of calligraphic techniques, with beautifully illustrated examples to inspire readers in creating their own designs.
- Sales Rank: #2994930 in Books
- Published on: 2012-03-01
- Original language: English
- Number of items: 1
- Dimensions: 8.70" h x 1.06" w x 6.73" l, .0 pounds
- Binding: Paperback
- 320 pages
About the Author
Maryanne Grebenstein established the Abbey Studio in 1982, a professional calligraphy studio that produces hand-lettered documents as well as offering calligraphy courses. The studio also conducts manuscript study trips to museums and libraries in the United States and Europe. Maryanne teaches this ancient craft at the North Bennet Street School in Boston, at MassArt, and as a visiting artists at The Corcoran College of Art & Design in Washington, D.C. In collaboration with Grebenstein, North Bennet is presenting a new, one-semester full-time course in calligraphy, manuscript illumination, and bookbinding. From 2003-2009, Maryanne was a professor at the Massachusetts College of Art, Boston. In 2006 she authored the text book Calligraphy: A course in Hand Lettering, published by Watson-Guptill. More information can be found on www.theabbeystudio.com Susan Kay-Williams is the Chief Executive of the Royal School of Needlework at Hampton Court. The research carried out out by the RSN is incredibly in-depth, and Susan is in constant demand as a speaker in the UK and internationally, especially in the US and Japan. She lectures part-time for London Metropolitan University and CASS Business School.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Great book, although layout could be better
By Trish Meyer
Pretty sure this is the same book republished in the USA by Watson-Guptill as "The Calligraphy Bible" http://www.amazon.com/Calligraphy-Bible-Complete-Essential-Techniques/dp/0823099342/ - just with a different cover.
If the original publisher (or author) reads this, I would make a few suggestions: Remove the wasted space on the Workbook pages - no calligrapher would write in a book like this - the ink would just run! Remove all the white space and the exemplars in the Workbook pages could fit on two pages easily. Also, the broad-pen examplar "nib widths" should match a known nib size (say, like Speedball C-2) so we could trace them.
In the earlier sections, where there is one chapter per hand, I really like the two-page spread for the Variations. But putting 4 variations on a page means that each one is really too small to be useful. (I might try to scan them and blow them up.) Would much rather see two on a page in a larger size. In fact, the original examplar on the chapter's opening page could be made bigger if it was moved to the facing page. As it is, the eye-candy "example" is larger than the more-useful exemplar itself.
Otherwise, really nice looking book. Looking forward to reading it in detail.
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